Aligned with the structural grid of the building and, by extension, with the urban fabric, the four rooms function as intimate “chamber theatres”. Each space hosts a pairing of sculpture and object and introduces a distinct chromatic reference, a recurring theme in Aldo Rossi’s work.
From this encounter emerges a landscape in which the real city overlaps with the imaginary one: an analogue city, shaped by collective memory, set in contrast with acritical reinterpretation of the modern city. As described by Studio Klass, the exhibition design offers an intimate, close-range reading of the two authors’ visions of the city, tracing a unified path through art, design and architecture.
Within the framework of MuseoCity’s In Vetrina project, the installation transforms Spazio UniFor into a place of encounter between languages and generations, reaffirming UniFor’s role as a cultural interlocutor and custodian of a design legacy deeply rooted in the history of Milan.
Installation: Studio Klass
Artwork courtesy of Archivio Somaini
Ph: Alessandro Saletta – DSL_Studio
Francesco Somaini, Antropoammonite II. Grossa, 1975, courtesy Fondazione Somaini Scultore
Francesco Somaini, Antropoammonite I, 1975, courtesy Fondazione Somaini Scultore
Francesco Somaini, Carnificazione di un’architettura: martirio [I], 1975, courtesy Fondazione Somaini Scultore
Francesco Somaini, Colosso di New York II, 1976, courtesy Fondazione Somaini Scultore