Spring System
STANDING DESKS HAVE A LONG AND ILLUSTRIOUS HISTORY: POLYMATH LEONARDO DA VINCI WAS RUMOURED TO HAVE USED THEM IN THE 15TH CENTURY, FOLLOWED BY THE LIKES OF CHARLES DICKENS, LEWIS CARROLL, ERNEST HEMINGWAY AND VIRGINIA WOOLF.
Early proponents commissioned high desks directly from carpenters, or used the taller shelves of bookcases, until manually adjustable sit-stand desks were invented that used hand cranks, pins, screws, or gas cylinders. UniFor’s latest workstation, however, the Spring System designed by architect Antonio Citterio, uses springs to manage the top movement. With their potential for increased productivity and creativity, as well as mounting research around potential health benefits, standing desks have often formed part of designers’ visions of the ideal workplace. When UniFor began its journey in 1969, furnishing the offices of the future was its raison d’être.
The company released one of its first height-adjustable desks in 1986, which now exists in its modern form as the iSatelliti S200 workstation. When electronic desks that can rise vertically at the push of a button first became popularised in the 1980s, UniFor released Richard Sapper’s Secrétaire (1989), which was a play on the elaborate 18th-century writing desks that featured drawers, cabinets and cubby holes.
La reinterpretazione di Sapper prevedeva un piano di lavoro regolabile in altezza e dotato di ruote per la massima mobilità. Il design manteneva l’eleganza nostalgica degli antichi secrétaire, con spazi dedicati a cancelleria, documenti e persino al fax. Il legno caldo e i profili arrotondati creavano un ponte tra estetica domestica e funzionalità da ufficio, anticipando la futura contaminazione tra casa e lavoro.Il nuovo Spring System di Antonio Citterio rappresenta un ulteriore passo avanti, rompendo con la tradizione della regolazione elettronica.
Antonio Citterio
The new Spring System uses springs to counteract the weight of the desk as it rises. Users simply have to pull a lever underneath the desk to adjust its height, making it easy and intuitive to interact with, and removing the need for additional cables. “I asked if it could be integrated into a central column and sketched out an idea” Citterio says. While most modern standing desks feature thick legs with long, rectangular feet that span the width of the desk, Antonio Citterio’s system has slender, angled legs like a praying mantis. This is because the kinematics are all embedded in a horizontal beam at the centre of the desk, rather than inside the legs themselves.
Antonio Citterio is known for his timeless, elegant aesthetic and use of high quality materials, making him the perfect design partner for UniFor. In the single desk version, the structural element is anchored beneath raised flooring, nodding towards Citterio’s architectural background by smoothly embedding the furniture within a building. The system also offers meeting tables, and each of its components has been developed for easy assembly at the end of its lifecycle, allowing for responsible disposal and efficient material recovery.
Dylan Thompson
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